Before you read on: Spoilers sweetie.
The Guardian series blog, written by Dan Martin, has been my first port of call as soon as the credits roll after every episode of this series. The story arc is so layered and baffling, with the hints and in jokes so carefully hidden, that even after a second viewing it’s difficult to pick up on everything. Thankfully the Guardian blog has been there whenever I’ve really struggled to get my head together and form some thoughts of my own. And the comments section is the perfect breeding ground for theories about where things are going.
This week’s mid-series finale gets a rather bruising verdict on the Guardian website. Very rarely do I disagree with it but this week I definitely do. I see where they’re coming from. It’s certainly true that not a lot happened despite the build up and the scale. And the cleric characters on Demon’s Run, particularly the token gay couple, the thin/fat marines, are chucked into the mix briefly and rather pointlessly. It was undoubtedly disappointing that the Cybermen were waggled before us in the pre titles sequence and that the Doctor’s dark side, whilst brilliant, did not plumb any seriously shocking new depths. But I think Dan Martin is missing the point of A Good Man Goes to War.
In many ways it matters little that the standalone story element was lacking this week because this was an epic conclusion to the first seven episodes. Rather than a war, this was the climactic battle. After the weaknesses of the flesh based double bill, I actually thought the story was improved to a much greater level and it was a joy to get Moffat’s writing back. The Doctor’s dialogue was so much wittier, cleverer and funnier.
Indeed the most surprising thing about A Good Man Goes to War was just how funny it was. The variety of the humour on show really added to the cinematic and epic feel. Besides the usual comedy deriving from Smith’s performance, for example in the scene where he’s trying to work out how Melody came to have Time Lord DNA, there are laughs from the other characters Moffat brings in as the Doctor’s allies.
The Sontaran nurse was absolute genius and perfectly in keeping with what the Doctor would do. When he tells Colonel Runaway to keep his back straight so as not to damage his posture, I laughed, during my first and second viewing. However it was only on my second viewing that I noticed a filthy lesbian tongue joke between the mysterious Silurian detective and her female sidekick, after the Silurian asks “why do you ever put up with me?”. I can see an adult spin-off show, with the potential to be far better than Torchwood, for those two. There was also a jolly fat blue thing that we’ve seen before, who was a delightfully wise presence.
With all the grim seriousness and concentration required to keep up with the secrets and twists of the story arc, the laughs were absolutely essential to making A Good Man Goes to War enjoyable. After the endless tension that has been coiling and tightening over the preceding weeks, I thought that this seventh episode actually had merits of its own, by leaving the ongoing secrets for the dramatic and emotional final ten minutes. Even if it didn’t go as far as it could’ve done, this episode was a fascinating exploration of the Doctor’s character.
We get to see the theatrical, arrogant side of the Doctor as he pulls off his genius takeover of the base. Matt Smith is in his element here and the impact of his performance is all the greater because Moffat kept him off the screen during the beginning as the team assembled, using the TARDIS alone. Moffat has previously said he wanted to put the “who” back into Doctor Who, and he’s done that with his confused, overlapping timelines and references to off screen adventures. But in A Good Man Goes to War he asks the question more directly and the Doctor ponders his own legacy, just as he did at the end of the last series when the monster sealed within the Pandorica turned out to be him. River Song then delivers some home truths. This episode may have been light on story but all of the key characters are explored in greater depth than before.
To River then. Finally we know who she is! And at last we have substantial answers to big questions looming since the beginning of the series. I was genuinely more satisfied by the big reveal than I thought I would be. But at the same time I am left craving more. I want to see the next episode. Moffat has, predictably, left an awful lot of questions unanswered. With a title like “Let’s Kill Hitler” my mind is already in a whirlwind of excited anticipation about the next episode itself too, let alone the answering of more secrets.
People tend to focus on the big question of this series: the Doctor’s death. But I am still waiting for the unresolved events of The Big Bang at the end of Series 5 to be explained. Who manipulated the TARDIS? Who organised the coalition of baddies to imprison the Doctor? Surely they must have some sort of connection to this year’s big enemies? Why are the clerics anti-Doctor now after working with him against the Weeping Angels in the last series? Who is Madame Kovarian?
So many questions and so many throwaway lines I can’t dwell on, partly because it would be useless and dull for you if I asked questions forever and also because I am falling asleep. Stevie Wonder performed in 1814 London. Just remembered that. But we mustn’t tell him!
See you in the Autumn.
EDIT: Blimey forgot the Headless Monks completely. And not because they were bad. A good idea but underdeveloped. Worth it just for having new monsters and that wonderful moment when the Doctor disarms all the clerics.
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It seems fitting that Manchester United’s new kit has a retro style this season, given their reliance on the resurgence of their old guard, the likes of Ryan Giggs and Paul Scholes, for a much needed breath of life and class during a stuttering start to the campaign. With few new signings to speak of United fans have been forced to hope that established stars in the squad recapture their best form to give this year’s title charge renewed vigour and yesterday in the ultimate clash of rivals Bulgarian forward Dimitar Berbatov stepped up to make a much needed, more significant contribution and spark premature talk of becoming player of the season.
All the early season talk has been of the ginger maestro Paul Scholes, spraying the ball effortlessly and accurately around the pitch from midfield, at the heart of everything good United do going forward. However whilst the shy professional stole the headlines for a change through the sheer dominance of his performances on the pitch, several of his usually derided teammates have quietly improved their consistency. Nani looks as if he is finally emerging from the shadow of Cristiano Ronaldo to become a tricky winger with plenty of end product, in both shots and crosses. He is tearing apart teams down United’s flanks and will be needed even more with no Valencia to steer crosses straight onto the head of Wayne Rooney for the bulk of this season. Berbatov too had, until yesterday, been progressing unnoticed into a reliable source of goals as opposed to an occasional scorer of wonder strikes full of delightful, artful strokes of flair and football genius. Yesterday’s hat-trick ensured his new season transformation took centre stage and became the subject of endless discussion. The test for him now will be whether or not he can continue all the qualities demonstrated against Liverpool’s demoralised defence and genuinely ease the burden on Wayne Rooney upfront for United by becoming their next big match winner, their next title winning goal machine.
For yesterday that it was what Dimitar Berbatov hinted he is capable of. He has always oozed flair and natural ability on the ball. As Mark Lawrenson remarked on Match of the Day 2, he is the type of player who can play football at walking pace. However yesterday Berbatov showed a whole host of other qualities that would make him the complete player should he be able to replicate them week in, week out. Much debate has centred on the lack of understanding between Rooney and Berbatov but yesterday they displayed intricate, interlinked build-up play. Berbatov showed plenty of movement and eagerness to work for the team. Most tellingly and positively for United he got himself in the box, in dangerous positions far more often than usual. Then once in these positions he produced classic, clinical centre forward headers that he made look easy, as well as a world class, instinctive second goal that will be one of the best of the season. In reality even the simple finishes required timed jumps, thoughtful movement and strength. I have previously argued that Fergie should ditch Berbatov if he proves to be nothing more than a costly luxury, but now the veteran United manager knows he has a player around which a successful season can be built should he maintain his form.
Worryingly for Fergie his side almost threw away a comfortable lead again against opponents they had easily outplayed though. Dropping points away at Fulham and Everton may already prove costly in the title race, but to allow arch rivals Liverpool back into the game so casually at the invincible fortress that is Old Trafford would have been unbearable and perhaps irreparably damaged United’s march to reclaim the title. Berbatov may symbolise all that was good about United’s attacking play and have had the effect of a new signing by discovering such inspired form, but the holes (literal ones in the wall for Liverpool’s equaliser) and lack of concentration in United’s defence may have the fans hoping for similar inspiration at the back. The return of Rio Ferdinand may help steady the ship should he find fitness and even the long awaited emergence from exile of Owen Hargreaves could give United’s title charge new impetus. Fergie must be hoping that the £17 million paid for Hargreaves finally reaps some rewards. He has undoubtedly only been a costly crock thus far in his Old Trafford career, but his return could prove timely and give the United defence a focused, hard working defensive shield in midfield that inspires concentration in the rest of the team. If United do not iron out defensive slip ups they will quickly lose touch with Carlo Ancelotti’s juggernaut of Chelsea consistency.
Meanwhile on Merseyside Liverpool fans will have to wait sometime before Hodgson’s new team gels and produces anything like the sort of consistency necessary for a title charge. Kenny Dalglish’s optimistic assertion this week that his old club could win the league contradicted the realistic assessment of the new manager and the expectations of all onlookers. The turmoil off the pitch means that Roy will be given time by the fans to rebuild upon sustainable foundations and a successful first season is only likely to yield silverware via a typically passionate and rollercoaster cup run with a few hard fought victories won in front of an always loyal Anfield faithful. Yesterday at Old Trafford it seemed for a while that Liverpool may have snatched a draw and such a result would have felt like a victory. In reality it would have been unfair on a dominant United side who easily stifled the likes of Torres and new boys Joe Cole and Raul Meireles. Liverpool’s new faces will eventually take the club forward but this season looks set to belong to the old heads at Old Trafford, with only the Chelsea steamroller capable of crushing their last hurrah.
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