Last year the Liberal Democrat leader Nick Clegg was dubbed a “King Maker” by many in the press, due to the historic power afforded to him as a result of a hung parliament. He could either prop up grumpy Gordon or crack open the party poppers for Dave’s coronation. The public rejoiced in watching the usual big boys squirm and a new man get a chance to pull the strings. But now no one agrees with Nick and he’s plummeted from the heights of Britain’s most popular to the land’s favourite burning effigy. Thousands genuinely hate him and want to scratch out his entrails for his sickening, unnatural marriage to the Tories. They despise him for drunkenly tossing away longstanding pledges to the public on his stag night and loathe him for cutting chunks from the country’s finances lustfully on honeymoon. For many it’s a painful, all consuming dislike of this one yellow tied Westminster suit amongst hundreds.
It’s sometimes easy to accept the idea that in today’s world, truly bad films don’t get made anymore. It’s impossible to find two hours in front of a screen with some flickering images completely unsatisfying. You can’t hate a piece of filmmaking like you hate a man. You can’t find it as painfully offensive to your artistic taste and morality as swathes of reckless, damaging government spending cuts. This may be true. Even the most misguided projects I review usually have some kind of redeeming quality, at least one moment of real enjoyment or an admirable aim. But The King Maker is a film that took only 60 seconds for me to want the blessed release of the end credits. It’s an absolute and total turkey, the sort of film that goes straight to the bottom shelf at Tesco for a reason, the sort of film that without qualification deserves the label: BAD.
Out of scores and scores of poor movies, The King Maker is one of the few that if you have any sense of quality and taste, you’ll rapidly be able to regard with something close to hate. Seriously you should heed my warning if you want to avoid an excruciating hour and a half; do not watch The King Maker. Certainly DO NOT PAY ANY (real) MONEY TO SEE THIS. You might think its 88 minute running time short, but it feels a hell of a lot longer and you’ll never get those precious minutes back. There is nothing at all to justify spending time on this lifeless, empty shell of a film.
Literally nothing at all, everything about The King Maker is purely bad. As I’ve said it takes less than a minute for the shoddy editing and woefully low production standards present throughout to raise their ugly, persistent heads. The film opens with an action chase sequence peppered with ludicrous ninja/karate style high kicks and flips. There are jumps and landings that would be laughable were the tone not so serious or the camerawork and execution not so dire. In fact much of the action in The King Maker could be from a masterful slice of slapstick Charlie Chaplin or a ridiculous Monty Python sketch. But The King Maker is not even so bad it is funny. At times it ought to be hilarious. I did not laugh or smile once at its awfulness though. Afterwards my face hurt from the exhaustive efforts of a non-stop grimace.
The main reason I can’t even recommend The King Maker as refreshing fest of unintentional LOL moments is because it’s evident that the actors are trying so damn hard. You can’t have a good old heartening chuckle at all those involved in the film when it’s so obvious that they were trying to make something good; they have no idea how shit it is and you’re left with an endless feeling of painful pity. Every element of the movie is bad, every acting performance poor at best and agonisingly awful at worst. In fairness to the cast they are not helped by the script. Rather than rant about its failures one quote sums up the clunky, grating quality of the dialogue: “Look it’s the king’s emissary, I wonder what he wants?”.
For what it’s worth the film chronicles the story of Portuguese mercenary Fernando De Gama (Gary Stretch), who is shipwrecked in Siam and rescued from slavery by his love interest. He works his way up through the ranks of society, stumbles across a plot, and has scores of his own to settle blah blah blah…it’s really not worth it.
There are continuity errors aplenty, an out of place soundtrack that will make you cringe, silly stunts and cliché black and white flashbacks. CGI of a port full of ships looks like it’s been taken from an unsuccessful computer game with unconvincing Windows 98 graphics (the water in particular looks atrocious). In fact the plot and action set pieces and horrible attempts at a historical setting all seem like ingredients from an out of date, bargain basement video game. There are even punch and kick sound effects ripped straight from cartoon archives.
Despite my partial defence of the actors earlier, the standout flaws of this film are their totally unbelievable performances. The worst offender is the plotting Queen and her lover as they fail to convey the passion of their secret affair. The majority of their scenes together seem like a disappointing porno with an inexplicable lack of flesh on show. Another potentially career devastating turn comes from lead Gary Stretch. His limp delivery of lines serves as the final nail in the coffin for The King Maker. Even a film so badly executed could have salvaged some likeability with a charismatic turn from the lead actor. Stretch merely drags things further into painful depths of disappointment and dismalness.
The King Maker was supposed to be a spectacular showcase of Thailand. It’s only the third Thai film to be made in the English language, and the first since 1941. There are some superb, beautiful locations occasionally visible in the background amongst the appalling action of the story. But they don’t deserve to be associated with the worst film I’ve seen this year and I suspect the favourite by a mile in the race for worst film of 2011.
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A number of articles have caught my eye today, the best of which an exploration of the pitfalls of adaptations by Sarah Churchwell in The Guardian. Principally she focuses on a foolhardy forthcoming adaptation of Fitzgerald’s celebrated novel The Great Gatsby, which is to star Leonardo DiCaprio and be directed by Baz Luhrman, who seems to only churn out turkeys of late (eg the dismal Australia). I found the article to be brilliantly insightful as well as accesible, as I have not yet read The Great Gatsby but Churchwell explains the nature of the book and how any film will inevitably fail to capture its crucial essence so well, without ever patronising. I find the whole business of transforming pieces between genres of immense creative interest, and enjoyed playing with the craft during my English A-Level. There are certainly many reasons for adapting great works if they are adapted well, but Churchwell makes a vital point that some qualities simply cannot be transferred and filmmakers and playwrights would often do better to acknowledge this fact. Her well expressed and insightful musings on Gatsby’s theme of possibility over actuality and the idea that a film adaptation is trying to realise the dream and therefore destroys it, seem particuarly spot-on. I am encouraged to read the novel and discover what the fuss is about, especially before I view the planned film.
The title of her piece is also a clever play on Dawkins’ The God Delusion, perhaps simply inspired by the Gs.
http://www.guardian.co.uk/commentisfree/cifamerica/2010/nov/15/great-gatsby-delusion
Also on The Guardian website is an articulate expression of the grievances of students following the Coalition’s recent announcement of planned education cuts. Lizzie Dearden, a student at York, highlights far more clearly and simply than I the devastating impact the cuts and raised fees will have and are having on young people, and how these impacts contradict the progressive message of economic recovery continually broadcast by the government.
http://www.guardian.co.uk/commentisfree/2010/nov/16/liberal-democrats-betrayed-students
A final piece from The Guardian‘s opinion section is an interesting piece by their prolific commentator Polly Toynbee, investigating the government’s announcement of the development of a “happiness” index. Now even from my basic knowledge of philosophy and ethics and limited life experience, I can confidently state that happiness cannot be measured and in any case attempting to is nothing new; just look at the long history of Utilitarianism. However it does seem obvious as well that the concerns of voters are not purely economic and the development of a country and its world standing cannot simply be categorized through GDP alone. So like Polly in this article I applaud the attempts to broaden data, under whatever dubious banner (“well being” certainly stirs understandable derision), whilst also joining Polly in being clear that Cameron’s Conservatives take no credit for the changes, at a time when inequality is increasing and therefore well being declining.
http://www.guardian.co.uk/commentisfree/2010/nov/16/unhappiness-david-cameron-wellbeing
And to finish off, a link to a brilliant band. Their recordings simply do not compare to seeing their electrifying live performances, but nevertheless wonderful lyrics and uplfiting melodies can be found. Seek them out for the real experience but I give you Tankus the Henge:
http://tankusthehenge.bandcamp.com/album/tankus-the-henge
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Tagged 16th november, 2010, A-Level, actuality, adaptation, Albania, alliteration, articulate, Australia, author, Baz Luhrman, Bentham, best, book, brilliant, Cameron, capture, catchy, Chris Huhne, Cif, cinema, circus, claim, clear, Coalition, Comment is Free, concise, Conservatives, creative, crucial, Cuts, data, Dawkins, delusion, destroyed, development, DiCaprio, doomed, dreams, economic, education, electrifying, EMA, English, essence, ethics, expressed, failure, Festival, flop, France, fuss, GDP, genre, government, Gs, Happiness, Hugh Jackman, ideas, impacts, index, inequality, insightful, Larmer Tree, Leonardo, Lib Dem. betrayal, literary, literature, live, Lizzie Dearden, lyrics, measure, message, Mill, Moulin Rouge, movie, music, newspaper, Nicole Kidman, novel, Office National Statistics, patronising, performance, philosophy, pitfalls, playwright, Polly, possibility, progressive, read, realised, recovery, Redford, Robert, Sarah Churchwell, screenplay, Shutter Island, spot-on, stars, Student, Tankus the Henge, text, The God Delusion, The Great Gatsby, The Guardian, themes, Titanic, Toynbee, transformation, Turkey, unhappiness, uplifting, utilitarianism, vital, website, well, well being, world standing, writer, York
David Cameron’s globetrotting, self-proclaimed “jobs mission” was apparently intended to both reiterate Chancellor George Osborne’s message that Britain has reopened for business and embrace foreign secretary’s William Hague calls for a new diplomacy that reduced our overreliance on America and sought closer ties with the emerging powers of tomorrow. A new blunt diplomatic style has certainly emerged from the Prime Minister but it is questionable whether or not it shall prove fruitful for the nation’s interests.
In interviews over the course of the trip Cameron has admitted that in coalition it takes longer to get MPs from his own party on board. Perhaps this loss of immediate influence over Conservative MPs has encouraged the new Prime Minister to be more assertive and presidential in speeches, or “frank” as he puts it, so that he can exercise power elsewhere. What Cameron has hurriedly defended as honesty others see as risky brutality. In Turkey he referred to Gaza as a “prison camp” in a shameless attempt to please his hosts and has followed this of course with the more widely publicised criticism of Pakistan’s terror links whilst in India. Cameron appears to have been trying to score easy points with his host nations by verbally attacking their old enemies, whilst apparently forgetting the all seeing eye of modern media and the importance of the UK’s relations with Israel and Pakistan as well as Turkey and India. In the case of Pakistan his comments were particularly misguided as progress was being made and will only ever continue with close cooperation from the Pakistani government and military. Inflammatory comments likely to destabilise a fragile but necessary partnership in security will not serve Britain’s interests, even when the PM insists that his comments only referred to widely known truths.
Cameron’s defence of his behaviour has shown his naivety as a leader and statesman. Repeatedly he has insisted that he would not feel comfortable being dishonest and he sees no reason to not say what he thinks and point out the realities of situations. This sort of answer might please voters at home and indeed it seems that the Prime Minister is more comfortable as leader of the opposition, using his bluntness as a tool for political gain through his “Cameron Direct” meetings. The fact is that even though Cameron has merely stated the widely known reality of situations, diplomacy, particularly when you are seeking to gain from it, requires subtlety and the judgement to pick which issues you are blunt and firm about.
Given that Cameron insisted the whole huge trip, entourage and all, was about securing jobs for British people and markets for recovery, he has missed an enormous opportunity to take a worthwhile gamble instead of being reckless in other areas for reasons of image. I have examined the idea of a “New Politics” on my blog before and whether or not this is something Cameron truly believes in or simply a political tool his first foreign policy tour has been a failure. Firstly if we assume that Cameron uses the idea of a “New Politics” largely as a politic tool, which frankly I do, Cameron has blundered over Afghanistan as well as Pakistan. By committing to a withdrawal date in 2015 he has not only placed an unwanted burden upon the armed forces but started a countdown towards political suicide; in the likely event that the situation on the ground does not permit a total pull out in the time limit he has agreed to, mostly to appease President Obama. Secondly then, if we take the idea of “New Politics” seriously, Cameron missed a perfect, opportune moment to take an inspirational stand against non-renewable energy in the wake of the BP Oil spill and call for a new way forward.
Whilst in America Cameron made a lot of noise about not simply pandering to the Americans anymore, being realistic about the nature of the special relationship, calling us a “junior partner” but insisting he would get a better deal for the UK out of future relations. However what actually happened was that Cameron downplayed the significance of his own nation, abandoned the Scottish legislature, branding their decision to release Megrahi as wrong (whether it was or not, did he need to come down so hard on the Scots?), and failed to defend an oil company vital to thousands of Britons’ interests that is also full of American shareholders, executives and only exists because of the world’s richest nation’s unquenchable thirst for the black gold.
If Cameron was the prophet of “New Politics” he claims to be he would have expressed deep regret at the damage caused by the oil spill and agreed that it was right BP clean it up (whilst insisting it would do no good to destroy BP as a company). He would then have referred to President Obama’s previous description of the spill as a disaster on the level of 9/11 and recognised this as his moment to touch the hearts of the world as Tony Blair did in the wake of that attack and unite two nations across the Atlantic. He would have argued that the tough truth exposed by the spill was that our way of life was dangerous and destructive as well as unsustainable, and therefore required a more urgent solution. He should have appealed to America and Britain’s joint legacy of leading the world against new challenges and offered to support and partner President Obama in pioneering a new generation of renewable, clean energy sources that would provide jobs and investment in the short term and vital energy security in the long run. He would have pointed to his government’s commitment to deficit reduction to show that he believes in sustainability in all areas of government but also urged the President to set aside funds for replacing the dependency on oil with innovative, inspiring new technologies. He should have left America with this message for green jobs and carried it to his meetings with all world leaders as the defining aspect of his diplomacy and insisted green restructuring be closely tied to economic recovery as it continued. This universal, unifying message would have been far more suited to a Prime Minister on his first foreign policy trip and far more inspirational than cheap, undignified point scoring. It would also clearly state Britain was open for the right sort of business; green, sustainable business with jobs that would last, instead of empty promises alongside policies like the immigration cap that rendered them immediately worthless.
All in all Cameron’s first foray into international leadership reinforced some opinions I held of him before and during the election. As a competent government leader on the world stage he does not compare to the gruff efficiency of Gordon Brown and his ideological spending cuts are likely to alienate important economies rather than entice them. His apparent commitment to passionate, inspirational political ventures does also not extend to urgent challenges like climate change, which might just allow Britain to find a place in the world again. His hasty honesty and radical conservative policy are thankfully tempered, albeit loosely at times, by his Liberal coalition partners, but Clegg and co must be careful that crafty Cameron does not amass all the political capital gained by the coalition.
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The best of today’s opinion in The Guardian: plus some music
A number of articles have caught my eye today, the best of which an exploration of the pitfalls of adaptations by Sarah Churchwell in The Guardian. Principally she focuses on a foolhardy forthcoming adaptation of Fitzgerald’s celebrated novel The Great Gatsby, which is to star Leonardo DiCaprio and be directed by Baz Luhrman, who seems to only churn out turkeys of late (eg the dismal Australia). I found the article to be brilliantly insightful as well as accesible, as I have not yet read The Great Gatsby but Churchwell explains the nature of the book and how any film will inevitably fail to capture its crucial essence so well, without ever patronising. I find the whole business of transforming pieces between genres of immense creative interest, and enjoyed playing with the craft during my English A-Level. There are certainly many reasons for adapting great works if they are adapted well, but Churchwell makes a vital point that some qualities simply cannot be transferred and filmmakers and playwrights would often do better to acknowledge this fact. Her well expressed and insightful musings on Gatsby’s theme of possibility over actuality and the idea that a film adaptation is trying to realise the dream and therefore destroys it, seem particuarly spot-on. I am encouraged to read the novel and discover what the fuss is about, especially before I view the planned film.
The title of her piece is also a clever play on Dawkins’ The God Delusion, perhaps simply inspired by the Gs.
http://www.guardian.co.uk/commentisfree/cifamerica/2010/nov/15/great-gatsby-delusion
Also on The Guardian website is an articulate expression of the grievances of students following the Coalition’s recent announcement of planned education cuts. Lizzie Dearden, a student at York, highlights far more clearly and simply than I the devastating impact the cuts and raised fees will have and are having on young people, and how these impacts contradict the progressive message of economic recovery continually broadcast by the government.
http://www.guardian.co.uk/commentisfree/2010/nov/16/liberal-democrats-betrayed-students
A final piece from The Guardian‘s opinion section is an interesting piece by their prolific commentator Polly Toynbee, investigating the government’s announcement of the development of a “happiness” index. Now even from my basic knowledge of philosophy and ethics and limited life experience, I can confidently state that happiness cannot be measured and in any case attempting to is nothing new; just look at the long history of Utilitarianism. However it does seem obvious as well that the concerns of voters are not purely economic and the development of a country and its world standing cannot simply be categorized through GDP alone. So like Polly in this article I applaud the attempts to broaden data, under whatever dubious banner (“well being” certainly stirs understandable derision), whilst also joining Polly in being clear that Cameron’s Conservatives take no credit for the changes, at a time when inequality is increasing and therefore well being declining.
http://www.guardian.co.uk/commentisfree/2010/nov/16/unhappiness-david-cameron-wellbeing
And to finish off, a link to a brilliant band. Their recordings simply do not compare to seeing their electrifying live performances, but nevertheless wonderful lyrics and uplfiting melodies can be found. Seek them out for the real experience but I give you Tankus the Henge:
http://tankusthehenge.bandcamp.com/album/tankus-the-henge
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Tagged 16th november, 2010, A-Level, actuality, adaptation, Albania, alliteration, articulate, Australia, author, Baz Luhrman, Bentham, best, book, brilliant, Cameron, capture, catchy, Chris Huhne, Cif, cinema, circus, claim, clear, Coalition, Comment is Free, concise, Conservatives, creative, crucial, Cuts, data, Dawkins, delusion, destroyed, development, DiCaprio, doomed, dreams, economic, education, electrifying, EMA, English, essence, ethics, expressed, failure, Festival, flop, France, fuss, GDP, genre, government, Gs, Happiness, Hugh Jackman, ideas, impacts, index, inequality, insightful, Larmer Tree, Leonardo, Lib Dem. betrayal, literary, literature, live, Lizzie Dearden, lyrics, measure, message, Mill, Moulin Rouge, movie, music, newspaper, Nicole Kidman, novel, Office National Statistics, patronising, performance, philosophy, pitfalls, playwright, Polly, possibility, progressive, read, realised, recovery, Redford, Robert, Sarah Churchwell, screenplay, Shutter Island, spot-on, stars, Student, Tankus the Henge, text, The God Delusion, The Great Gatsby, The Guardian, themes, Titanic, Toynbee, transformation, Turkey, unhappiness, uplifting, utilitarianism, vital, website, well, well being, world standing, writer, York