The Cabin in the Woods has set sections of the internet ablaze with excited chatter. It’s been dubbed by many as a ‘game changer’, which chews up the horror film genre and spits out a deformed, witty and mind blowing analysis. Whilst it is an undoubtedly clever deconstruction of a genre, it is also very vulnerable to being overhyped, like a lot of modern movies.
Friends and colleagues left me in a state of feverish excitement before I saw the film. Their ranting and raving catapulted my expectations into the stratosphere. I was already aware of the positive critical buzz but it’s ultimately the endorsement of those that you trust that tips the balance. I spent the entire runtime of The Cabin in the Woods waiting for great things, which never quite materialised.
Ideally you should see the film without reading or hearing anything about it. However, for most of us, that simply isn’t realistic in today’s world. Before you decide to see a film you have to be convinced, by a trailer, a poster or a good old fashioned review. The trailer for The Cabin in the Woods drops a few huge hints towards its ‘game changing’ premise. I was assured by those who had seen it that the twists and turns still had tremendous impact. For me, they simply didn’t.
The Cabin the Woods is still a good film, stuffed with quality and interesting ideas. It begins by introducing us to a set of characters, all archetypes in their own way; there’s a geek, a jock, a stoner, a hot chick and a good girl. All of these characters are then fleshed out deftly, with unusual skill and some cracking dialogue. In fact most of the dialogue, from a script co-written by director Drew Goddard and Avengers chief Joss Whedon, is top notch. It’s refreshing to see a horror film in which characterisation is given so much care and attention. The problem is that the clever premise of the film, which I’m trying not to spoil, leads to a rapid unravelling of the plot without any great sense of peril.
Indeed, most reviews have pointed out that the key flaw of The Cabin in the Woods is the lack of genuine scares. The reason for this is obvious now that I’ve seen it; it is primarily a comedy in tone, not a horror. I laughed loudly and uncontrollably at several points, no doubt irritating those around me in the cinema trying to be frightened. Its entire structure and plot exposes the ridiculousness of the horror genre. The jaw dropping twist turned out to be ludicrous, simply reinforcing the point.
Whedon and Goddard describe the film as a ‘loving hate letter’ to horror movies and it is ultimately hate dressed up as love. The force of the narrative is limited by the grand in-joke. Had the horror been better paced and more arresting, The Cabin in the Woods would have edged closer to being great and compelling, rather than good and interesting.