Ideally I like to write my reviews shortly after I’ve watched a film, as I’m doing now. First impressions are important right? I think recording that instant reaction can be valuable, especially for readers dithering over whether to see something. Of course taking more time to chew over the substance of a movie can also have its advantages. It might help me to get my head round it and make some more insightful points. But somehow I don’t think I’ll ever get my head round Memento.
The protagonist of Memento, Leonard (Guy Pearce), certainly couldn’t make it as a film reviewer. And I’m not saying that because it’s a particularly difficult task with insurmountable challenges. In fact normally I’d take the view that anyone could do it and that’s what makes cinema so engaging in the first place. But Leonard is not just anyone. For him remembering the plot of the most transparent Hugh Grant picture would indeed be an insurmountable challenge. There’s an advertising slogan that reads “Impossible is nothing”: this is literally true in Memento. It would be impossible for Leonard to write a review because he would remember nothing about the film. Not even Hugh alternating between “gosh” and “golly”.
Leonard suffers from a rare condition which basically means he can’t form new memories. I say “basically” but if you watch Memento it’s rapidly clear that his day to day existence is not a simple matter. Repeatedly Leonard tells us, via voiceover or mysterious conversation, that through his mastery of routine, instinct and a system of writing down “facts” as they happen, he has conquered his inability to save memories to the mainframe of his brain. But as the story progresses things that seemed certain prove to be far from it. Leonard’s quest to find his wife’s killer, and the man who whacked the talent of remembering from his skull, gives even the most ordinary encounter life and death importance. If Leonard draws the wrong conclusion from something and writes it down for future reference, he could end up on a path that causes him to kill the wrong man.
With last year’s hit Inception, Christopher Nolan reminded us that before his skilled reinvention of Batman for the mainstream he had a reputation as an experimental narrative trickster. Inception was his first film since The Prestige, which had twists and turns aplenty in the plot, to tell a daring story free of the Gotham city universe. The hype for the “dream heist” thriller was hysterically huge. I and countless others positively salivated at the sound of the concept. The possibilities of such an idea were endless. Sadly the film is one of the most overrated of recent times. Whilst good it did not compete with the whirring of imaginations kick-started into life by the premise.
Memento is much better than Inception when it comes to realising a tantalising idea. This is despite the fact that Nolan’s relative inexperience as a director is evident in a handful of lacklustre shots; one drab and overlong focus of Pearce strutting away into a building stands out. The acting isn’t always brilliant either, with what seems like half the cast of The Matrix on show and in hit and miss form. The script however is superb, bouncing themes and tension around the scattered narrative structure. I was never bored. And I never knew what was going on.
As well as being extremely gripping and exciting, Memento has its other strong points. Leonard as a character is an engrossing figure, complete with those striking memories in tattoo form (which Steven Moffat recently adapted in Doctor Who for the monsters you forget when you look away). He is trying to make sense of his life, in one sense with nothing to go on but also with endless notes and information he’s amassed for himself. We’re all trying to settle on a purpose and the excess of notes could be an interesting symbol for information overload in the modern age. Clearly Memento has its insights on memory given the driving force of the story but it also comments on the nature of fact and perhaps the notion of history. Leonard insists he only collects facts and this ensures no one takes advantage of him. But his “facts” are manipulated. And what’s the point in revenge if he can’t remember it? Is it enough that “the world still exists when I close my eyes”, as he says?
Memento gave me a headache. I may have had one before sitting down to watch but after having the pieces inside my head jumbled about until my brain moaned in pain, it didn’t help matters. Nonetheless I enjoyed it. The overwhelming strength of the film is its originality. The execution was certainly there, which is why this was Nolan’s breakthrough picture. But the real genius lies with the idea behind the story. And the script was based on a short story by Christopher’s brother Jonathan Nolan. Perhaps he is the real mastermind behind the family’s success and the endless plaudits should be more evenly shared.
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Fernando who? With a certain £50 million Spaniard well and truly nullified on his Chelsea debut and a fourth consecutive win for Liverpool, things are finally on the up on Merseyside. On Monday Anfield veteran Jamie Carragher spearheaded calls for the apparent architect of the revival, the messianic Kenny Dalglish, to be given the managerial job full-time. At the moment his clean-up as caretaker seems to be unstoppably accelerating, but is he really the right man to orchestrate Liverpool’s return to the top four in the long run and perhaps in the future once again push for the Premier League title?
What’s fairly certain is that you won’t get an argument based on pure reason from a Liverpool fan. King Kenny rules the Kop and as far as they’re concerned current results are mere confirmation of his status as a divine saviour. Incidentally it was reassuring to hear Liverpool’s American owner champion the atmosphere of the Kop as something unrivalled and irreplaceable last week, as he announced he would reconsider the club’s plans for a new stadium in favour of an expansion of Anfield. One thing Dalglish’s rebirth as manager undoubtedly proves is the galvanising power of tradition and distant American owners would do well not to disregard the heritage that could still play a pivotal rule in luring the talent needed for Liverpool to get back to the heights they once scaled.
Carragher was wise on Monday not to tear into the methods and tactical nous of previous manager Roy Hodgson. In my opinion Hodgson remains a shrewd manager capable of great success, who was given an unfair hearing from the start at Anfield and not enough time to turn a dire inheritance around. Substantial blame for Liverpool’s failings this season must rest both with the players and disruptive behind the scenes shenanigans. But Carragher was also spot-on when he said Dalglish had got everyone “onside”. Will the problems come however, when unity and renewed hope cease to be enough?
Looking on as Dalglish took over there appeared to be some worrying signs. After a better performance against Manchester United in the FA Cup, which nevertheless lacked attacking punch, they succumbed to a loss against Blackpool. But then Blackpool almost outplayed and defeated United not long ago at home. It would definitely have been unfair to judge Dalglish so prematurely.
However then there was the captivating comings and goings in the transfer market on the final day of the deadline. Endless column inches have lambasted the out of control decadence and excess of football today, but ultimately there is no way back to the “good old days”. The best the fans and the public can hope for is that the big money filters through to the grass roots and puts something back.
Talking of the “good old days” though, I couldn’t help but think of the time Dalglish has spent out of football and then look at his key new signings to fill the hole left by the outgoing Torres. Despite the new dimension of crazy money, Dalglish appeared to be paying over the odds, unavoidably due to the rush, for a traditional target man in Andy Carroll. And Uruguayan Luis Suarez from Ajax seemed to be the tricky little goal-scorer to partner him. In the past Dalglish created and subsequently relied upon classic strike partnerships like Sutton and Shearer at Blackburn to propel his teams to success. Clubs no longer seem to have these attacking pairings. Has the age of the target man, of the little and large partnership, passed for a reason? Does it no longer work? Or would a new back to basics focus on team chemistry and complimentary traits work wonders for Liverpool?
Obviously until the unproven talents of Suarez and Carroll play together, the jury is still out. Undeniably both players have potential, but they were also overpriced. But then Liverpool simply had to gamble and replace the disaffected Torres because their season needs saving right now. They couldn’t wait till the summer and watch their prestige diminish still further. Ultimately there are more immediate concerns surrounding the possible appointment of Dalglish as permanent boss.
Mike Ashley tried it at Newcastle with Kevin Keegan. Times are hard so let’s bring in the one man the fans can’t possibly criticise me for, even when things go wrong. With a bit of luck his sheer presence will energise the players and gee up the fans. Are Liverpool simply experiencing the short-term Kenny Dalglish effect right now? When it disperses, does he have the vision and modern coaching ability to lead Liverpool into the future?
Despite the worries, overall the outlook is good. Alan Shearer is forever praising Dalglish’s “man management” abilities on Match of the Day and I’d have to agree, simply from the evidence, that he seems to have the difficult knack of motivation and inspiration nailed. Dalglish tried to insist no mention of Torres’ treachery was made in the dressing room prior to Sunday’s Stamford Bridge clash, but my word somehow he kicked some urgency into his players, instilled some fire and passion in their bellies. Chelsea rarely forced Reina into action.
More importantly perhaps, Dalglish got the game against Chelsea tactically perfect. Three central defenders, lead by a reborn Carragher, coped almost effortlessly with the hopelessly narrow attack of Chelsea. Dirk Kuyt was given the chance to play as a striker for a change, and relished the opportunity to apply his phenomenal work rate on his own down the middle, a constant nuisance to the Chelsea defence. If Dalglish can continue to raise the confidence of his squad, in tandem with the excellent coaching of number two Steve Clarke, Liverpool should end this season strongly and start the next with a far better platform for success.
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