Unconventional style: Inglorious Basterds, Juno and The Ghost

(some spoilers)

The most stylish person in a room looks different to everyone else. Often the first step to style, the boldest move towards quality, is doing something different and distinctive. A lot of the time these risky moves will end in tears but some people just have the knack for it.

Three such people are directors Quentin Tarantino, Jason Reitman and Roman Polanski. Recently I’ve watched some of the best known, latest works of all of these men and it’s clear they’re endowed with the lucky gift of success when embracing the unconventional.

Firstly Tarantino’s Inglorious Basterds is such a fascinating, intriguing picture. Events within the plot and elements of the execution bear Tarantino’s sensational touch – leading Nazis weren’t slaughtered in reality in a cinema in Paris – but that does not mean there aren’t serious elements to this film too. On the surface it’s a simplified, warped version of history, with a non-existent band of American Jews exacting revenge for the Holocaust, which wasn’t widely known about until the discovery of death camps at the end of the conflict. But at the very least it’s a sumptuous exercise in the best of filmmaking and with its faithful use of various languages, does say something factual rather than fictionalised about the misunderstandings and deceptions of war. It’s also, somehow, hilarious.

As the film’s star Brad Pitt says in one of the interviews on the Blu-Ray disc, this film plays out more like a novel. It’s broken into chapters, the first handful of which establish the characters and the rest bring them together for an explosive, visually stunning finale. Only a few of these characters are typical and expected for the wartime context; the French farmer in the marvellous opening scene for example. But the rest are Tarantino creations. They’re extremely vivid and engaging but also wild, sometimes implausible extremes, almost as if plucked from the pages of a striking graphic novel. Somehow the director/writer makes them wonderfully believable and then gives them bags of room to play in his chapters, which often consist of one, long and extended scene.

The opening scene establishes the marvellous character of the “Jew hunter” played by Christoph Waltz. There are some splendid, picturesque shots of the French countryside, followed by a wonderfully tense dialogue scene indoors. The interrogative German is sinister through his politeness, only to reveal the true nature of his visit. Other scenes in the film get similar space to breathe and come to life, in particular another edge of the seat, tense encounter in a tavern. This is the film’s longest scene and is incredibly realistic and satisfying as the spies, including the wonderful Michael Fassbender, attempt not to blow their cover. Language again plays an important role, and does so throughout, becoming almost another character. Often Inglorious Basterds feels more like a play, only for some explosive action to remind you that only a film could deliver such thrills, laughs and intrigue. Ultimately the spot-on dialogue, lengthy scenes, exploration of language and sensational characters and events, is not only stylish but says something worthwhile about the war.

All of these films say something worthwhile. Juno chips in with messages about taking people at face value and what really makes relationships work, as well as challenging views of young people. And The Ghost, whilst being primarily an impressive exercise in storytelling rather than a substantive study of politics, does have some underlying messages about identity and ethics.

If you had one word to describe Juno, chances are it would be “quirky”. Anywhere you look online you’ll find this label plastered to the film’s witty face. Personally it seems an unfair, limiting term for such an intelligent, funny, well-acted production. But I guess it is undoubtedly true. Juno isn’t your average teenager. She’s witty, quick and cynical. She wasn’t used by some sex mad male but got knocked up by banging the best friend who’s crazy about her out of boredom. She sets about helping a deserving couple, rather than unthinkingly obliterating the fledgling life inside her.

The couple she decides to “donate” her child to are almost as important to the story as Juno. Played by Jennifer Garner and Jason Bateman, they are the grown-up heart of the film, the crucial counterpoint to Juno’s usually happy exuberance. All the cast deal superbly with fast, funny dialogue, including Juno herself, Ellen Page, as well as her Dad and Step-Mom, J.K. Simmons and Alison Janney. And of course the love that suddenly blossoms at the end with Michael Cera, is wonderfully touching and encompassed by the duet which ends the film.

Of all these films it’s The Ghost with the most stylistic flourishes, perhaps ironic given the everyman Brit accent adopted by Ewan McGregor. There are no jaw-dropping stunts in this film; all the drama comes from the story and suffocating, tense locations. When crucial, potentially stunning events occur in the plot, Polanski deals with them with the utmost style. The film starts by simply showing an abandoned car to heighten the mystery surrounding the death of the previous Ghost Writer, rather than showing a spectacular murder scene. At the climax of the film McGregor’s character is abruptly hit by a car out of shot; we only see papers scatter and swirl in the traffic, littering the street.

Rich in detail, in The Ghost we learn surprisingly little about anything ever. Polanski somehow captures the Dan Brown like, page-turning twists of the novel and distils them on film, whilst also adding a layer of intelligence to the swerves of the plot. You are gripped, determined to keep watching for the big reveal. A reveal cunningly disguised throughout and then stylishly unveiled with an anticipation building close-up of a gradually passed note. The Ghost is immensely enjoyable and stylish; I couldn’t take my eyes off it.

So filmmakers do something different, unpredictable and restrained if you want to make it big and be lavished with praise.

Peaceful Protest or Manic March?

And of course, following on from my last post, those that died for our country died to preserve democracy, freedom of speech and the right to peaceful protest.

If you weren’t marching yesterday the impression you will have gained from the national media is one of troublemaking tearaways, descending on London with their purposeless, ignorant views, intent on causing damage and achieving thrilling highs with each frustration filled kick at the establishment, at unprepared police. If you were at the protest, as I was, you would have seen in excess of 50,000 perfectly peaceful but passionate people with a clearly shared general aim. I say “seen” but really you couldn’t see a lot beyond the immediate placards in front and behind you, but you could sense and feel the masses. My friend described it as a “sea of placards”. I went the whole day blissfully unaware that anything truly violent had taken place. The headline of The Times today reads “Thuggish and disgraceful”, in what I view to be a disgraceful piece of reporting. Of course for the media the story of the day was the eruption of rare violence but it is wrong to falsely brand such a vast swathe of respectful young people as “thuggish”. For one thing The Times headline takes out of context a quote from a police officer who had actually praised the majority of those attending the day, whilst condemning the minority his men were consequently surprised by.

Having said that I did not witness any violence all day, I did make it to Conservative Party HQ at Millbank, scene of the carnage, and the tense atmosphere in the air was chilling. Chilling in an exciting way. I was for the most part not fearful at all during my brief stay at Millbank. High-vis wearing organisers made half-hearted attempts to steer us away from the throng at Tory HQ, but having remembered what it was and just past the MI5 offices (which were apparently locked down at some point), I was keen to get a glimpse. I’d say we got about half way in but there was still a sizeable crowd between us and the doors, so later I could not say if glass had already been smashed or violence was already in progress. There was a fire going though, off to our left over more heads. It was fuelled by placards and the crude wooden sticks used to hold them aloft. Later I would see pictures of Cameron dunked into the flames in the papers, at the time I could only see the glimmer of orange reflected on the roof and smell the thick black fumes. Helicopters swirled past the towers overhead. Enthusiastic chanting, full of essentially harmless vitriol, went on with an endless intensity not noticeable elsewhere on the march. And as we left the sickening boom of an explosion close at hand foreshadowed the grisly scenes I would later learn about.

There was admittedly something exciting and inspiring about the atmosphere at Millbank, something I find slightly shameful having seen the damage caused there at some point during the day afterwards. There was an irresistible sense of something being done, of our indignation and righteousness being more adequately expressed. As someone I saw interviewed later on BBC News 24 said, the coalition now had Thatcher’s riots to go with her cuts. I do not in any way condone the violence, as it has undoubtedly smeared the message the ordinary marcher like myself was striving to hammer home, but there was a feeling amongst us that we ought to do something more than just walk and the added venom at Millbank was intoxicating. The country and the politicians needed to be sent a shocking signal, a wake-up call, which forced them to acknowledge the scale of the cuts was real and catastrophic, and as negative and transforming anything Thatcher or those before her dared to enact. But it’s almost certain the majority of the actual perpetrators were not even true to the cause but the moronic fanatics such large scale protests inevitably attract.

Prior to the seductive feel of the siege at Millbank, the march had been an impressive spectacle but an occasionally tedious and tame affair. The only glimpse of genuine revolutionary zeal before the flickering flames and fists pumping in the air at Millbank, was a red-hatted man with a megaphone in Parliament Square. This extraordinary speaker loitered in the area where protesting banners and signs permanently reside opposite Parliament; the sort proclaiming Iraq to be a war crime and Afghanistan a corporate expedition etc. Like a stand-up comedian he playfully bantered with the crowd, which had ground to a halt so that it was slowly trudging past Big Ben and the Commons at best. Groups were beginning a sit-down protest, with Nick Clegg probably still inside after taking over PMQ duty. Girls mounted traffic lights, litter swirled at our feet and drum beats pounded the air in the distance. He flattered us at first, saying what intelligent students we must be. Then he casually slipped in the conspiracy, urging us to use our intelligence and “connect the dots”. Just as I worried he was getting predictable, came his call to arms: “Think about it there aren’t enough police in this city to stop you all. Marching is good but won’t get it done, join me and occupy the city.” Or something to that effect, but more charismatically phrased. I was struck into excited laughter by the audacity of it. We hadn’t come to occupy London, Hitler and Napoleon had spent an awful lot of money and time and expertise trying to accomplish the same thing. Our spontaneous occupation, led by megaphone man, seemed unlikely to succeed therefore, but at the same time, glancing around me, the sheer numbers told me we would have a good go at it if we all stood together. The fantasy, that of a bygone age of socialist revolution, of people power and the possibilities of sudden change, truly motivated me.

Earlier at the march’s official start point on Horse Guards Avenue, speakers had tried to rally the troops. On the ground and in the thick of the towering placards however, the reality was that you could not hear the rhetoric, merely catching snatches of the speech. Each would unmistakeably end with the refrain “NO IFS, NO BUTS, NO EDUCATION CUTS” though. At times I think it may have been just as well for me that I could not hear the speakers, as I heard a glimpse of something about Trident at one point and there was inevitably other overly idealistic or socialist rhetoric I didn’t necessarily support. The striking white buildings on the avenue, dotted with innumerable windows, looming over us on each side, channelled the wind and the noise so that it was both a loud and cold wait for the off. The time was filled with idle talk about the changes being made by the coalition, its worst effects and the need for an alternative to march in support of.

There is undoubtedly a need for a well thought through alternative if opponents of the government’s scheme are to be credible, but the leading article in The Times today is unfairly harsh about the ignorance of students. It claims that the government system is an improvement in some ways, with the rise to £21,000 salary threshold, and it is only fair graduates pay for their education. However it neglects the deterrent such greater debts will act as to ordinary students from ordinary families, it ignores the fact that £21,000 is still an average wage and will often be earned without the burden of debt by those who didn’t attend university and “benefit” from it and most critically of all The Times ignores the key chant of the protest. We were marching against the absurdity of the government cutting funding by 40% (as well as the vital EMA payment, which needed tightening reform, not abolition) and then raising fees to plug that gap, creating a system which the students effectively pay for themselves and which is no better in terms of quality than the current one. British universities will continue to slide in comparison to international competitors, the government’s key claim, that their plan is sustainable, falls flat on its face.

Having said this I did feel absurd at times, marching alongside some with overly optimistic demands. I also felt bad for the unrelenting criticism coming the way of Nick Clegg. Whilst Clegg clearly made a terrible political miscalculation pledging himself and his party against any rise in fees, I still stand by my view of him espoused on this blog as an essentially admirable politician. As head of the junior partner in the coalition this is clearly one of the decisions that is principally Tory in its motivation. If the Lib Dems had total parliamentary control (an almost impossible to imagine scenario) then the spending could have been structured elsewhere to honour a pledge to students. As it was Clegg opted for some influence rather than none and has to bow to Cameron’s party on the bigger issues. The fact that the violence erupted at Tory HQ suggests the demonstrators and activists know who the real villain of the plan is, but there is still understandable anger about the Lib Dem “betrayal”. Clegg also set himself up for a frighteningly fall with his constant talk of honesty and honour in politics. I’d like to think he would still back a progressive alternative should one be found (hurry up Labour!) and I’m sure he’ll hope to return to the issue, perhaps with different allies. As it is though I did feel uplifted to be marching in solidarity with others against cuts to education; that Clegg should not have accepted so lightly and should have done more about.

When we did finally set off it was at a shuffling, rather than marching, pace. Having built up a lot of enthusiasm standing stationary for long periods, I was keen to stride ahead, but had to be content with feeling part of a massive, snaking entity, writhing through London streets, demanding to be heard. The shuffling continued with the occasional more spacious period, past Downing Street and painfully slowly through Parliament Square, all the way to the drama of Millbank. I took far too much pleasure in muttering to myself that David Cameron was miles away in China, as ignorant students directed personally tailored chant after chant at his famous black doorway as we passed Number Ten. I wished for a widescreen HD overview of events, for an action replay as I always did at live football matches in packed stadiums. It would have been nice to truly comprehend the scale of events from beyond my tiny worker ant perspective; to know where best my many, multiple protesting talents were to deployed. Where did they need me I wondered?

Despite the blinkered vision it was wonderful to feel part of history, to feel part of something greater with meaning, even if in reality it would prove politically ineffective. And as usual I loved wandering around London, seeing the Thames from all angles, absorbing that skyline. I’m getting far too used to and seduced by it. On top of it all I managed to share it with friends, as opposed to my usual solitary travels, some of whom I had not seen in a while. I didn’t get long enough in their company and I didn’t plant my flag within the bowels of Parliament, but all in all me and the beard had a good day out on the march.