Tag Archives: Daniel Craig

DVD Review: Dream House


Daniel Craig and Rachel Weisz are Hollywood’s latest power couple. Together they are more than capable of flying the flag for Britain in the vast cinematic universe. Iconic movies from recent years litter their CVs, from The Mummy to Casino Royale. Interestingly, and perhaps dangerously for their happiness, they will go head to head in 2012, both critically and at the box office, when Weisz stars in The Bourne Legacy and Craig returns as James Bond in Skyfall. Every aspect of this super spy battle will play out under a media spotlight, but their real life relationship began on the set of a film that would turn out to be an unnoticed flop, in every department, despite the A-list names attached.

Dream House is a film ripe for critical clichés. It suffers from a severe identity crisis. Marketed as a horror and psychological thriller, it succeeds at being neither. It is telling that the cover of the DVD is adorned with a vague quote, “scary thrills”, from a publication as prestigious as The Daily Star. The movie has a mere 7% rating on Rotten Tomatoes and most reviewers only throw out the odd crumb of kindness because they feel sorry for the talented stars, mired by the mess. Ironically though, the terrible reception for Dream House at the tail end of 2011 may be its saving grace on DVD.

Dream House was nowhere near as bad as I was expecting it to be. The slightest bit of research into the film will expose its dodgy development and crisis ridden path to release. Scenes were hastily reshot at the last minute and there were huge creative differences. The trailer reveals the major twist, stripping the narrative naked so that there is no interest or excitement left to be discovered when you sit down to watch the film itself. In any case the story is an uninspiring creature, which simply mimics much better films from the horror and thriller genres.

For what it’s worth, Craig and Weisz play Will and Libby, a happy couple settling down in their dream home in the country. Will has left his job at a publishing company to write his own book. Libby doesn’t seem to be doing much, so clearly this couple are as financially comfortable as Craig and Weisz in the real world. Their kids require little effort and are just great fun. But then things start going bump outside and the neighbour (Naomi Watts) is acting “mysteriously” by refusing to answer Will’s questions. Eventually the family discover that a murder took place in their beloved new home.

If you manage to forget the precise nature of the twist, despite the trailer’s best efforts, there are some surprises left in Dream House.  I remembered the twist about a quarter of the way through the film, after some pretty obvious clues refreshed my memory. Rather than having an excruciating wait until the end, I was shocked to find that Dream House proudly unveils its big secret half way through its short 88 minute runtime. Initially I saw this as a bold move. It completely wrong footed me, and I presumed it meant that there was a real, even more satisfying reveal to come.

Perhaps my lowered expectations were going to allow me to enjoy Dream House. Or perhaps not. There were a couple of ounces of plot left to add to the mix, but the final ingredients took forever to fall into the pot. This is where the identity crisis comes in. Once the twist jumps out on us, Daniel Craig takes centre stage. Most of the awful attempts at horror stop and Craig is left to convince us that the twist was plausible, and that its impact is emotionally horrific for his character. In fairness to the film, you do get the satisfaction of saying to yourself “oh that’s why she said that earlier”. Everything before the twist fits and makes sense. But pretty much everything after the twist is an anti-climax.

There are aspects to Dream House that will almost make you like it. It’s nice to watch a film that doesn’t fall back on the ridiculously supernatural to be unsettling. The simple fact that there was a murder in your house is never really exploited to its fullest though, and by the end the film is as ludicrous as any other disappointing horror. Its structure is all over the place. It is neither scary, nor jumpy, nor thrilling. Rachel Weisz and Naomi Watts give atrocious performances, after being given very little to work with by the script. Daniel Craig is left to the carry the film, and whilst he is not bad, he is also far from his best. Having said all this, Dream House is an acceptable DVD rental that will get you talking with whoever you choose to watch it with.

 

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Will Bond 23 rob 007 of his licence to thrill?


Daniel Craig’s third outing as 007, rumoured to be named “Skyfall”, could be considerably thinner in the action department, according to The Express. The paper claims that director Sam Mendes wants to focus his adventure on “characterful performances” instead of the franchise’s usual action set pieces. Most strikingly of all the director, with his background in quality theatre, reportedly wants to use this focus on the talents of the cast to bag some weighty Oscar nominations for a Bond film.

In the past any award wins for the films have been limited to the technical departments instrumental to the creation of unique and groundbreaking stunts. But Mendes appears to be setting his sights higher, which raises all sorts of questions for fans of 007. An Oscar contender would surely need to be a different kind of film altogether to the usual romp packed with sexy women, car chases and fight scenes?

The real danger is that by aiming to be something it’s not, Bond 23 could end up being both a bad film and a bad Bond film, lacking both depth and excitement. However the tabloid bleating shouldn’t worry Bond traditionalists too much. Leading 007 fan site MI6-hq.com confirms that the new film will have a smaller budget than previous instalments but is normally a more trusted source of information than the papers. They are yet to support or criticise the source cited in The Express.

With acting calibre as strong as Javier Bardem and Ralph Fiennes signed up for Bond 23 there may well be opportunities for award nominations at the very least, if the script is good enough. A story with a deeper plot, along with secrets and twists, could also make for a more interesting film, without necessarily losing all the required Bondian elements.

But could a film called Skyfall ever conceivably win an Oscar?