Tag Archives: catchy

Chitty Chitty Bang Bang: going, going gone?


The only Chitty Chitty Bang Bang capable of getting you to the shops is to be sold by a Holywood memorabilia company. Unlike the vehicle from the film it won’t let you fly to Tesco in style for your groceries, and the amount of room in the eccentric interior is questionable, but you could, in theory, chug along slowly to anywhere you like in a piece of cinematic history.

Of all the cars associated with the fictional creations of Ian Fleming, James Bond’s Bentleys or Aston Martins, or even Goldfinger’s gold plated Rolls Royce, are more likely to tempt your casual film fan. But for some who love Chitty as if she were a childhood friend or those who swoon over Dick Van Dyke in Diagnosis Murder, there might be no better slice of the past than this unique auction piece. A reporter for the BBC’s Breakfast programme got the chance to take the Chitty for a test drive and was quick to praise Van Dyke for making it all look so easy, whilst simultaneously singing along to that catchy and memorable theme tune.

The version up for sale was assembled in England prior to production of the 1968 film, but it has a Ford V6 engine and automatic gearbox. Various salvaged parts and splashes of colour adorn the car and its wood panelling, helping to create its famously happy image. Van Dyke’s portrayal of the slightly bonkers inventor and the other performances did the rest.

 The charismatic producer behind the Bond films, Albert “Cubby” Broccoli, was responsible for bringing Fleming’s children book to life on the big screen. Roald Dahl, the architect of so many characters in the collective conscience of childhood, wrote the script, with the Sherman Brothers supplying the songs.

In an interview with the New York Times, Pierre Picton, who doubled for Van Dyke during shooting and owner of the available Chitty ever since, admitted that the car suffered from heavy steering now and again. But he had faith that this wouldn’t damage his hopes for a “retirement nest egg”. He said he was missing her already.

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The best of today’s opinion in The Guardian: plus some music


A number of articles have caught my eye today, the best of which an exploration of the pitfalls of adaptations by Sarah Churchwell in The Guardian. Principally she focuses on a foolhardy forthcoming adaptation of Fitzgerald’s celebrated novel The Great Gatsby, which is to star Leonardo DiCaprio and be directed by Baz Luhrman, who seems to only churn out turkeys of late (eg the dismal Australia). I found the article to be brilliantly insightful as well as accesible, as I have not yet read The Great Gatsby but Churchwell explains the nature of the book and how any film will inevitably fail to capture its crucial essence so well, without ever patronising. I find the whole business of transforming pieces between genres of immense creative interest, and enjoyed playing with the craft during my English A-Level. There are certainly many reasons for adapting great works if they are adapted well, but Churchwell makes a vital point that some qualities simply cannot be transferred and filmmakers and playwrights would often do better to acknowledge this fact. Her well expressed and insightful musings on Gatsby’s theme of possibility over actuality and the idea that a film adaptation is trying to realise the dream and therefore destroys it, seem particuarly spot-on. I am encouraged to read the novel and discover what the fuss is about, especially before I view the planned film.

The title of her piece is also a clever play on Dawkins’ The God Delusion, perhaps simply inspired by the Gs.

http://www.guardian.co.uk/commentisfree/cifamerica/2010/nov/15/great-gatsby-delusion

Also on The Guardian website is an articulate expression of the grievances of students following the Coalition’s recent announcement of planned education cuts. Lizzie Dearden, a student at York, highlights far more clearly and simply than I the devastating impact the cuts and raised fees will have and are having on young people, and how these impacts contradict the progressive message of economic recovery continually broadcast by the government.

http://www.guardian.co.uk/commentisfree/2010/nov/16/liberal-democrats-betrayed-students

A final piece from The Guardian‘s opinion section is an interesting piece by their prolific commentator Polly Toynbee, investigating the government’s announcement of the development of a “happiness” index. Now even from my basic knowledge of philosophy and ethics and limited life experience, I can confidently state that happiness cannot be measured and in any case attempting to is nothing new; just look at the long history of Utilitarianism. However it does seem obvious as well that the concerns of voters are not purely economic and the development of a country and its world standing cannot simply be categorized through GDP alone. So like Polly in this article I applaud the attempts to broaden data, under whatever dubious banner (“well being” certainly stirs understandable derision), whilst also joining Polly in being clear that Cameron’s Conservatives take no credit for the changes, at a time when inequality is increasing and therefore well being declining.

http://www.guardian.co.uk/commentisfree/2010/nov/16/unhappiness-david-cameron-wellbeing

And to finish off, a link to a brilliant band. Their recordings simply do not compare to seeing their electrifying live performances, but nevertheless wonderful lyrics and uplfiting melodies can be found. Seek them out for the real experience but I give you Tankus the Henge:

http://tankusthehenge.bandcamp.com/album/tankus-the-henge