Ed Miliband may have found a way to shake off the label “Red Ed”. Unfortunately for him it could simply be replaced by the even more damaging nickname “Robot Ed”.
It’s hard to believe that just last September Miliband’s acceptance speech as leader of the Labour party was greeted by a chorus of relief. The wooden and cold Gordon Brown had been replaced by a youthful, honest, reasonable and approachable man, not afraid to at least attempt a joke and flash a bumbling but genuine smile. Now though Miliband’s PR machine is working so hard to preserve this flattering initial image of reason and humanity, that they have forgotten to let him be natural at any moment, even between highly choreographed press conferences or interviews.
I am always keen to write about the policy as opposed to the personalities of politics. The culture of spin and press manipulation too often overshadows the important debates about what Britain needs or what would be a better way of doing things. There are so many pressing challenges to thrash out swift but credible and long term solutions to, that it is plain irresponsible and arrogant to get bogged down in ideological or personal differences. Miliband’s shadow cabinet have been far too slow to produce viable and inspiring policy ideas.
However as the shocking revelations of the past week have shown, dishonesty and deceit are facts of life on a national scale. Rightly or wrongly the public digests the truths, half truths, lies and simplifications of the press every day. And for the average voter that mysterious quality of “likeability” will always prove crucial to which party they back at the polls.
Ed Miliband’s team are clearly aware of this, as anyone working in politics must be. But rather than supporting the key work on policy behind the scenes, the Labour leader’s media experts have meddled to such an obvious and unsubtle extent, that the overwhelming impression of Miliband amongst the public of late has been one of fakery and artificiality. The most embarrassing incident for Miliband has been the exposure of this interview about the planned strike of teachers across the country: http://www.youtube.com/watch?v=PZtVm8wtyFI
It makes for excruciating viewing. The journalist conducting the interview has written and spoken about his frustration. And it really is the sort of snippet behind the curtain of political life at the grim reality of it all that makes you doubt the truth of anything any MP ever says. Miliband delivers the same answer, reordered a little each time, to ensure a carefully crafted soundbite makes the news. His delivery, seen in context, is terrifyingly robotic. At no point is there even a glimmer of the man himself or a hint of his own opinion.
Ironically Miliband is now speaking out boldly against such negative elements of the press because of the ever growing scandal engulfing News International, forcing the closure of the News of the World. Cynical onlookers will criticise Miliband for yet another case of opportunism. But whatever his political motives, it’s clear that Miliband is putting himself in the firing line of an extremely powerful Murdoch empire in a way that no politician has previously done, to first and foremost, do the right thing. He has defended press freedom throughout and simply called for the proper investigations to go ahead.
In the midst of the phone hacking turmoil, an interview with former Prime Minister Tony Blair has been buried, in which he openly criticised Gordon Brown’s betrayal of New Labour. He stressed the importance of occupying the centre ground to win elections. Miliband responded in an interview with Andrew Marr by saying that he believed the centre ground had moved, presumably to the left.
Another factor Miliband must consider as he takes the initiative on phone hacking, is avoiding categorization as a popular leader of the “politics of protest” Blair warns against, which might count against his credibility as a potential Prime Minister. In other words, the fallout from the News of the World crisis might win Miliband supporters as a leader of the opposition, but ultimately not convince them that he has what it takes to lead the country.
This may be the crisis that establishes Miliband’s credentials as an opposition leader with influence. Then again Miliband may have sowed the seeds of his downfall by angering Murdoch and perhaps even more dangerously, leaving himself open to charges of hypocrisy. His PR team need to dramatically alter their strategy and have more confidence in Miliband’s ability to be himself and to speak through policy. Otherwise the correct case he is making about the BSkyB takeover and the immorality of hacking the phones of Milly Dowler and others, will be undermined and defeated.
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Phil who? This was the reaction of a lot of football fans when it emerged that the first major bidding war of the summer had broken out over a 19 year old Blackburn centre back. Liverpool looked as though they were wrapping up a deal for yet another promising youngster, as Kenny Dalglish looks to rebuild, but then Manchester United swooped in with Sir Alex Ferguson on his own reconstruction mission. A sizeable £16 million release clause in his contract was triggered and after a period of uncertainty, Fergie got his man.
Or should I say boy? Jones is currently with the England Under 21s for the European Championships. Against a Spain side much fancied to win the whole tournament, Jones won plaudits for his performance alongside another United youngster, Chris Smalling. Sir Alex bought him last summer and he has since proved himself as a top quality, capable defender, deputising for the increasingly injured Rio Ferdinand with composure beyond his years. The 21 year old was also praised universally by pundits and columnists and it was generally accepted that but for Jones and Smalling in central defence the Spanish would not have been held to a 1-1 draw.
It’s looking worryingly like the same old story for England fans, even at Under 21 level. On paper the squad of youngsters is stronger than most, bursting with names that have already gained considerable Premiership experience and demonstrated their skills on a tough stage. Some might even think it’s stronger than Fabio Capello’s first team and many players will be looking to break through. But following the promise of the hard fought draw with Spain, England drew 0-0 with Ukraine, with the only impressive performances coming once again from the defenders. Talented forwards with enormous potential simply didn’t deliver.
And literally as I write England have capitulated to a 2-1 defeat against the Czech Republic in a must win match. Danny Welbeck had headed them ahead with just twenty minutes or so to go, but then it all fell apart with an equaliser and a snatched winner as England poured forward in stoppage time. Their tournament is over. Stuart Pearce’s boys are no better at winning trophies than the men.
None of this will greatly concern Sir Alex Ferguson. He is used to watching England internationals as accomplished as Paul Scholes, David Beckham or Wayne Rooney go off to tournaments and return dejected and defeated. It did not stop them becoming phenomenally successful Old Trafford legends. He will set about the task of moulding Phil Jones and Chris Smalling into the perfect readymade pairing to replace the ageing Nemanja Vidic and Rio Ferdinand.
In an interview this week Smalling said that he liked to think both he and Jones had a mixture of Ferdinand’s passing ability and football brain, as well as Vidic’s hard as nails tackling prowess. This might be true because certainly Smalling has proved that he is no physical lightweight and Jones is versatile enough to play in midfield, so he can presumably pass a ball reasonably well. But there’s no doubt that Jones appears to be the tough tackling long term replacement for Vidic and Smalling the smoother operator to step into Ferdinand’s shoes. I mean he even looks a bit like Rio.
Jones proved his Vidic-esque credentials by almost singlehandedly taking United’s title challenge to the last day of the season. In the end a penalty earned the Reds a 1-1 draw at Ewood Park but Blackburn almost gave Chelsea hope thanks largely to Jones’ one man brick wall. Even on his Blackburn debut against Chelsea in March 2010, not long after his 18th birthday, Jones made his presence felt with some stinging but legal challenges on the likes of Frank Lampard.
Smalling meanwhile, as I said, has had a surprisingly key role over the last season at Old Trafford. I’m not sure even Fergie would have anticipated his rapid rise through the ranks, leaving the veteran manager contemplating selling the likes of Jonny Evans, John O’Shea and Wes Brown with not too much concern. Ferdinand’s fitness is unlikely to ever reach the heights of reliability and effectiveness again, meaning that Smalling will be called upon more and more often until eventually Rio is relegated to experienced squad member. The former Fulham man will grow in confidence the more he plays, so that he’ll be bringing the ball out of defence and looking for a killer pass as Ferdinand did in his prime, as well as covering superbly.
Jones and Smalling then have the potential to become a durable, formidable and complimentary partnership at the heart of one of the best teams in the land. Any understanding the two develop could also be transplanted beneficially into future England teams. But before such a partnership forms, they are going to have to compete against one another to play alongside Vidic for perhaps the next couple of seasons.
This time will test, trial and prove the individual ability of each player but will give them little chance to play together. If they have both been useful and their talents have passed the tests of high quality football on a regular basis at the Theatre of Dreams at the end of this period, then Sir Alex (or his successor) will have relatively cheap, and English, replacements for two of the best defenders the Premiership has ever known.
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Manchester United were always going to be the underdogs at Wembley. Beating the Catalan giants required the best from every one of the eleven Red Devils. Rooney delivered to give the fans hope, only to fade away amongst chain after chain of world class Spanish passing sequences. United just weren’t in Barcelona’s league.
But no one in the world is right now. United were right to believe in themselves and in the opening ten minutes their positive tempo took the game to their intimidating opponents. Their unity and players like Rooney, Giggs and Hernandez, meant they could hurt even the likes of Messi and co. It was an upbeat pace impossible to maintain however and as soon as Guardiola’s side got a grip on possession, England’s representatives in the clash between Premiership and La Liga were always going to be chasing the game.
Now though, with the battle lost, hardened veteran Sir Alex Ferguson is ready to launch a new war. As crushing as the defeat at Wembley was for United fans, they might be able to take some comfort in the fact that their seemingly immortal manager is to carry on for at least three more years. And not just carrying on with his job as well as he always has done but tackling a challenge so big that it can ignite and excite even the 69 year old Scott: wrestling Champions League dominance from Barcelona.
I’m not saying that Fergie had lost the hunger. He is the type of man who will never lose the desire to keep on winning and this ferocious and clinical lust for triumph is a key ingredient of his monumental success over the years. But there’s no doubt his Achilles heel has always been Europe. He knows this is where the strength of his legacy crumbles, even after a second trophy in 2008. This year he proved that he has mastered the tactics of Europe to reach the end without conceding an away goal. His team proved to him that they were a unit capable of following his instructions to the final. But not to the trophy and not past Barcelona.
The signs of an even greater determination for glory and greatness are already there. The manager knows that the effective blend of youth and immense experience his team has benefited from this campaign, is about to become imbalanced. Even before the Champions League final defeat, Fergie was aware that he’d be losing Edwin Van Der Sar and Gary Neville, and in all likelihood Paul Scholes, to retirement. He knew Ferdinand’s fitness was an increasing concern and that Ryan Giggs will have to be rested more often. These pillars of experience will need replacing.
Current players will be expected to step up with the departure of such Old Trafford greats, with greater importance falling upon the likes of Rooney, Vidic and Fletcher than ever before. Young players from the FA Youth Cup winning side, such as the promising Ravel Morrison, will be encouraged swiftly, but carefully, through the ranks. But after the “hiding” his team received at Wembley, Sir Alex knows quality and efficiency are also issues he must tackle.
I say efficiency because the likes of Nani and Berbatov, despite being pivotal at points, have not been trusted at others because of their inconsistency. Berbatov is undoubtedly a great talent, a genius with the ball, and you feel for his undeserved fall from Premiership top scorer to Champions League final exile. But his future is in real doubt at the club, with serious offers likely to be accepted. His manager prefers the partnership of Hernandez and Rooney and will be even more ruthless in his quest to catch the Spaniards that have humiliated him twice. Nani too, could be tempted by a move. Fergie needs to be able to rely on everyone for every occasion to better the Catalans.
All of this means that this summer will be the busiest in a long while for the red side of Manchester. Sir Alex, by failing to accumulate replacements for his ageing stars in previous years, has left himself with a mammoth shopping list. But he is supposedly backed by funds from the Glazers and he’s given himself three years to catch the world leaders. He’ll need all the time and money he can get.
Who does he want this summer though? Well De Gea looks pretty certain to replace Van Der Sar in goal and Fergie will hope that the Spanish Under-21 keeper is a steady long term replacement, after the trouble he had replacing a certain red nosed Dane between the sticks. Also reportedly in the club’s sights is Villa winger Ashley Young, Everton rising star Jack Rodwell and Lens defender Raphael Varane. Fergie would love Dutch playmaker Wesley Sneijder to fill the boots of Paul Scholes but a move looks unlikely. With the likes of Obertan, Gibson, Kuszczak, and Brown also all likely to leave, along with possibly Nani and Berbatov as well, the task could yet grow harder still.
With fierce rivals City having plenty of oil money to burn and Arsenal looking to be busier again too, in many ways Sir Alex Ferguson has picked the worst summer to begin a major rebuild in pursuit of an almost impossible goal. But if one name continually defies expectations in football and gets what he sets out to achieve, it’s his.
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Nazi Germany is a historical setting we are all familiar with. Films set within the Third Reich often have similarities; good natured people trying to help persecuted Jewish neighbours, informers, political intimidation, concentration camps and the striking red background of the swastika. Equally there are areas often overlooked. The boxing rings for example.
Max Schmeling is a German film directed by Uwe Boll which tells the story of one of the 20th century’s greatest boxers. He became world champion in the early 1930s, getting his big break by beating the title holder by default after an illegal “low blow” from his opponent. The film begins by following Max as a paratrooper for the German army in Crete, where everyone seems to know his name. During a conversation with a British prisoner he recalls how his fame started, flashing back to his regret at being denied the world championship outright. The rest of his career became a struggle to prove he deserved that title.
Schmeling wanted to prove himself outside of Germany as well as within it. He wanted to be the best in the world. He was already a national hero but he wanted to win other countries over with his ability. He frequently flew to America for huge matches at iconic venues such as Madison Square Garden. He was beginning to win admiration around the globe until his task became a lot harder with the rise of the Nazi party. As Germany’s image was soured so was Schmeling’s. One of the interesting themes in this film is that Schmeling saw himself as a boxer first and a German second. And that Nazism would simply pass as though it were an adolescent phase.
Hitler wanted Schmeling to be a symbol of the Aryan race and Germany’s might. As Schmeling sought to arrange fights with the formidable black American boxer Joe Louis, an opponent with an unbeaten record and extraordinary number of KOs that would enhance his boxing credentials should he somehow beat him, the Nazis tried to portray the clash as a battle between races and ideologies. Schmeling was naive in one sense but extremely brave in another, to carry on regardless of this manipulation and insist it was just a boxing match. Through his honour he simultaneously became a political pawn by refusing to recognise the wider significance, and rose above the Nazis by continuing with his dream.
So this film is an epic historical drama, encompassing wide areas of German life before and after the Nazis took power. We see both the glitz of the Weimar era and the race riots of Kristallnacht on the streets of Berlin, when Jewish shops and residents were viciously attacked. The period detail, particularly the costumes, and the variety of locations, are impressive. It is also a story of the rise of a sporting great, with Rocky style montages as Schmeling trains for his big fights and moments of tactical deliberation. And there is a love story, when Schmeling meets his soul mate in actress Anny Ondra and manages to marry her.
The love story gives this film something extra. There are, as I said, a lot of stories set in Nazi Germany, often with romances, sometimes with sporting heroes trying to avoid the control of the regime. But this romance is particularly convincing. Henry Maske gives an Arnie-esque performance, as a simple man falling for a beautiful woman. And Susanne Wuest is believable as first a teasing woman suspicious of a brute pursuing her affections and finally an actress frightened by what the Nazis are doing to her profession.
A short but enlightening “Making of” feature on the DVD reveals the reason for the authenticity of this relationship on screen; Maske is not an actor but a boxer. Therefore, as Wuest puts it in an interview, we have a boxer playing a boxer and an actress playing an actress. Director Boll was impressed with Maske’s performance and put it down to his ability to effectively play himself, identifying with Schmeling to inhabit the character.
Overall this might not be the most original film experience but it is immensely enjoyable. All of its various elements are superbly executed, from the production standards to the acting, from the music to the exciting and raw boxing matches themselves. This feels like an incredibly real snapshot of history and it’s a story that deserves to be well told about a remarkable man.
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Cast your minds back to the days of the last election. All the talk was of cuts and the campaign was curiously short on optimism. Nick Clegg rocketed to popularity because of his outsider status and a rare ability to sound slightly hopeful about the odd issue. Cameron and Brown battled over grim details, tainted by all that had gone before. One of the few rays of hilarity to shine out of the darkness was the very British ridicule of one of our current Prime Minister’s key policies and publicity stunts.
I’m referring, of course, to Cameron’s notorious airbrushed poster campaign. The abnormally clean image of the old Etonian presented on billboards everywhere to the entire nation, took the Tory drive for renewal to the laughable extreme. Dave was not wealthy and out of touch, merely handsome and approachable. As funny as the image and tactics themselves were however, it’s the snappy quoted message alongside his shiny face coming back to haunt the Prime Minister now.
I certainly do not pretend to even partially comprehend the reforms to the NHS this Conservative led government is proposing. Indeed the lack of understanding from its own ministers seems to be a large part of the problem. And it’s no secret the Conservatives have long planned a shake-up, fuelled by the steadfast belief of their long serving top dog on health, Andrew Lansley. However whilst the faults and flaws of the plans that are becoming clear are extremely important, in terms of political capital and strategy for Number 10, they are in many ways besides the point when it comes to that infamous election promise.
“I’ll cut the deficit-not the NHS” translated for voters to “This is a new kind of Tory party that treasures the NHS above all else. We will not mess with it anyway.” Cameron will argue his promise did not say he wouldn’t change the NHS and that it needs modernisation for the better. But he knew the implication of his promise and the votes it would win him. His protestations about the benefits of his reforms will therefore mean little to those his promise swayed.
It’s also especially hollow given that the Prime Minister has since watered down and diluted that concrete pledge, which formed the symbolic heart of his campaign, again and again and again. First it became merely a safeguard for frontline services and then promised improvements, like an increase in the number of midwives, were scaled back and ultimately scrapped altogether, with even plans to maintain current numbers reversed. Fears about privatisation which the reasonable man might have attributed to overzealous, sensational leftist press, are now emerging to have hard evidence behind them. 50,000 jobs are set to be cut. How exactly is this not cutting the NHS?
If the workers within the system themselves were in favour Cameron would have a much stronger argument. But countless GPs have written to newspapers, as well as other types of professional, warning against the changes as unnecessary and damaging. The Prime Minister continually insists that locals have the right to opt in our out, but what are those that oppose and don’t sign up to the scheme meant to do? Even in my quiet rural area GPs feel overworked and many local people distrust the vested interests of certain doctors. Is handing over the biggest budget in the country to them really a good idea and what people want? It’s doubtful if the new system will even be able to produce what the public need.
Another argument constantly wheeled out by the Tories is the pressing need for modernisation and reform, which make it necessary. There is nothing necessary about these plans though. Whilst the health service has its flaws, the current system leads to a mostly positive service. There are undoubted challenges in health care such as an ageing population and emerging drugs, which often seem insurmountable. Government proposals do not do enough to ease the burden and according to many that know, they actually complicate the fight. For a leadership so keen on cutting the deficit, you would think that such costly, ideological plans could wait for better times.
It would also do more good in the long run, and reduce the deficit substantially, to work out some realistic spending priorities centrally. Vital areas and treatments need to be protected nationally and things the NHS can’t afford to provide should be phased out. The private sector does have a role but it should grow independently of the NHS and take up the slack for treatments it shouldn’t be wasting resources on. Taxes and other initiatives should encourage healthier living. Devolving decisions to GPs is no magic pill, no silver bullet and it doesn’t even equip the NHS for the critical, worsening challenges it will face in the future. It would be a far more sensible decision for the government to begin a nationwide debate about what we expect, want and need from our NHS now. It would fit with the “new politics” of plural cooperation and potentially produce actual solutions.
Perhaps the main reason the government looks less likely to bow to pressure from the public on this issue is the Prime Minister’s ego and pride. He’s been happy to recognise the weaknesses of coalition and concede on issues like the forests and sport in schools. But the NHS plans are too inextricably linked to Cameron’s personal brainchild; the Big Society. Its philosophy of localism and choice in the community over centralised solutions marries nicely with Lansley’s ideas for health. The health reforms open the way for the sort of community cohesion and interaction, fuelled by voluntary, charity involvement, that Cameron wants to see. He genuinely believes it’s the path to a social recovery for Britain that’s sustainable and empowers government to do what it does best, as well as liberating people from the state. He’ll continue to be blind to all the irreversible wounds the “reforms” will inflict on the NHS itself and his popularity with the people as long as it remains tied to his vision. His recent attempt to re-launch the initiative demonstrates his huge commitment; it cannot afford to fail.
The real shame for the country and even the Conservative party, is that Cameron’s election pledge could have been a clever way of dumping a responsibility and challenge for maximum political gain. His implicit promise of not touching the NHS meant it could have been left as it was, a gargantuan issue for a future administration to tackle, ticking over just fine for the time being. There are after all, enough problems for the coalition to face. If this government had done mostly nothing on health, the public would have thanked them for it, the Conservatives especially. But Cameron is so determined to be radical and appear to be so, that he will press on, regardless of the consequences. It may prove to be the well meaning project that took his remodelling of the state too far.
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It has been one of those weeks in politics. As well as dull but incredibly important legislative procedure on issues like voting reform and the EMA, there have been the scandalous, newsworthy, headline-grabbing stories which get everyone interested and have the potential to set the tone of debate for the foreseeable future. On Friday the big story was supposed to be the once charismatic, fallen and tainted PM Tony Blair giving evidence for a second time at a historic war inquiry. Instead both of the major parties faced employment crises that sent morale on an undulating, yo-yoing rollercoaster ride.
At the end of that ride it seems Labour, against the odds, have emerged with their heads held high and full of hope. The resignation of David Cameron’s long-term spin doctor Andy Coulson proves them right on a point they’ve been making in Opposition for months. With little policy of their own to use as ammunition against Coalition cuts, Labour have relished the niggling issue of Coulson’s shady past at the News of the World. By finally quitting Coulson has reinforced Labour’s attempts to expose the “new” politics of the coalition as the same old dishonest, elitist governance of old. Coulson may have tried to serve his employer well one last time with the timing of his announcement, shrouded as it was in theory by the gargantuan story of a Labour frontbench reshuffle so soon after the selection of the original line-up. But for the moment at least it’s Labour that are buoyed by events and the Tories feeling somewhat dejected.
Back in October I aired my views on this blog about the announcement of Ed Miliband’s first Shadow Cabinet. To me the appointment of Alan Johnson was a mistake, and far be it from me to blow my own trumpet, but events have proved my initial musings correct. Johnson went from gaffe to gaffe, showing a worrying lack of knowledge for his brief. Labour continually failed to land palpable hits on economic issues, despite a plethora of targets laid bare by Con-Dem cuts. Meanwhile Ed Balls, after a dynamic and impressive leadership campaign, languished largely unnoticed as Shadow Home Secretary. No one seemed to be pro-active enough to take the fight to the Conservatives on damaging policies in a noticeable way. Balls’ wife, Yvette Cooper, also wasted away shadowing the foreign office brief, despite widespread backing in the party and the potential for public support. The only Labour frontbencher scoring economic points was Shadow Business Secretary John Denham, and even he has left glaring gaps in his arguments and been error prone.
Alan Johnson’s sudden resignation due to personal issues so soon into his new, vital job may be a blessing in disguise for Labour and everyone wishing to see credible Opposition to Coalition cuts. Despite the mistakes, Johnson has once again proved in his short tenure his capacity to be likeable and approachable to ordinary voters. The revelation that it was in fact his wife having an affair, not him, ensures the prospect of return to the Labour frontbench in a smaller, popular role in the future. With Johnson’s static, timid fiscal presence brushed aside though, Labour can at last forge a bold new and distinctive direction on all things economic.
I praised Ed Balls during his leadership campaign for going a long way to reshape his bullyboy image. More than any other candidate, Balls looked as if he’d give Labour a truly individual position on policy. Continually described as Labour’s “attack dog” Balls will now have much greater freedom to bite at the heels of the Coalition. As Shadow Chancellor he’ll have to respond to hot, topical issues like tuition fees and bankers’ bonuses; fresh and emotive in the public consciousness. He’ll also have to start winning the argument on growth and investment vs. spending cuts.
Already though he has shown signs of defending Labour’s past record more effectively, explaining his decision to now back the plan he once opposed to halve the deficit within four years, by citing better figures driven by Labour’s spending whilst in government. He’s also been wise to already criticise the government, not for risking a double-dip recession, which looks unlikely, but for wasting an opportunity for greater growth and wider prosperity because of ideological decisions. And growth, Balls will emphasise, is the swiftest, most sustainable route to deficit reduction.
There are still those warning against the potential problems of two Eds at the top though. The primary fear is a return to the Blair-Brown standoff that came to define and overshadow New Labour. This concern adds the extra interest of a helping of recent political history to the mix of this story. Will Labour repeat past mistakes, despite Miliband’s proclamation of a new generation? Even if the new team propels Labour back to government, the same old potentially lethal questions will hang ominously over the partnership between the leader and the treasury.
However I think the doubters are at the very least premature to suspect Balls of wanting to derail Miliband’s revival of the party. Despite the fact he ran for leader, it’s no secret that the job Balls has always wanted is Chancellor. Finally in a position to seize his goal, he is unlikely to turn his fire on his own party. Much more likely is that Balls will electrify the chamber, as one Labour source believes he will, and unleash an avalanche of devastating balls of criticism at the government. He’ll add much needed guts and yes, “Balls”, to Labour’s Opposition. He’s already proved his aptitude for Opposition politics during his leadership campaign.
Balls’ wife will also have greater opportunity to play a key role, replacing her husband as Shadow Home Secretary. She’ll no doubt start picking apart government policing plans. But once again Ed Miliband showed a disappointing lack of courage with his emergency reshuffle. Already he’s failed to take climate change seriously or offer serious backing to voting reform or a graduate tax. And by handing Balls Johnson’s old job, not his wife, he once again missed an opportunity to make his generation truly a new one.
Failing with his initial selection of a cabinet though meant he simply had to give the role to Balls. Who will, I believe, do a genuinely excellent job and accelerate Labour’s journey back to power. The two Eds plan to have adjacent offices and the fears of a Blair-Brown fallout seem unfounded to me. Nevertheless they will not disappear and had Miliband boldly plumped for the equally qualified Cooper, he would have avoided the shadow of New Labour he is so desperate to escape.
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The most stylish person in a room looks different to everyone else. Often the first step to style, the boldest move towards quality, is doing something different and distinctive. A lot of the time these risky moves will end in tears but some people just have the knack for it.
Three such people are directors Quentin Tarantino, Jason Reitman and Roman Polanski. Recently I’ve watched some of the best known, latest works of all of these men and it’s clear they’re endowed with the lucky gift of success when embracing the unconventional.
Firstly Tarantino’s Inglorious Basterds is such a fascinating, intriguing picture. Events within the plot and elements of the execution bear Tarantino’s sensational touch – leading Nazis weren’t slaughtered in reality in a cinema in Paris – but that does not mean there aren’t serious elements to this film too. On the surface it’s a simplified, warped version of history, with a non-existent band of American Jews exacting revenge for the Holocaust, which wasn’t widely known about until the discovery of death camps at the end of the conflict. But at the very least it’s a sumptuous exercise in the best of filmmaking and with its faithful use of various languages, does say something factual rather than fictionalised about the misunderstandings and deceptions of war. It’s also, somehow, hilarious.
As the film’s star Brad Pitt says in one of the interviews on the Blu-Ray disc, this film plays out more like a novel. It’s broken into chapters, the first handful of which establish the characters and the rest bring them together for an explosive, visually stunning finale. Only a few of these characters are typical and expected for the wartime context; the French farmer in the marvellous opening scene for example. But the rest are Tarantino creations. They’re extremely vivid and engaging but also wild, sometimes implausible extremes, almost as if plucked from the pages of a striking graphic novel. Somehow the director/writer makes them wonderfully believable and then gives them bags of room to play in his chapters, which often consist of one, long and extended scene.
The opening scene establishes the marvellous character of the “Jew hunter” played by Christoph Waltz. There are some splendid, picturesque shots of the French countryside, followed by a wonderfully tense dialogue scene indoors. The interrogative German is sinister through his politeness, only to reveal the true nature of his visit. Other scenes in the film get similar space to breathe and come to life, in particular another edge of the seat, tense encounter in a tavern. This is the film’s longest scene and is incredibly realistic and satisfying as the spies, including the wonderful Michael Fassbender, attempt not to blow their cover. Language again plays an important role, and does so throughout, becoming almost another character. Often Inglorious Basterds feels more like a play, only for some explosive action to remind you that only a film could deliver such thrills, laughs and intrigue. Ultimately the spot-on dialogue, lengthy scenes, exploration of language and sensational characters and events, is not only stylish but says something worthwhile about the war.
All of these films say something worthwhile. Juno chips in with messages about taking people at face value and what really makes relationships work, as well as challenging views of young people. And The Ghost, whilst being primarily an impressive exercise in storytelling rather than a substantive study of politics, does have some underlying messages about identity and ethics.
If you had one word to describe Juno, chances are it would be “quirky”. Anywhere you look online you’ll find this label plastered to the film’s witty face. Personally it seems an unfair, limiting term for such an intelligent, funny, well-acted production. But I guess it is undoubtedly true. Juno isn’t your average teenager. She’s witty, quick and cynical. She wasn’t used by some sex mad male but got knocked up by banging the best friend who’s crazy about her out of boredom. She sets about helping a deserving couple, rather than unthinkingly obliterating the fledgling life inside her.
The couple she decides to “donate” her child to are almost as important to the story as Juno. Played by Jennifer Garner and Jason Bateman, they are the grown-up heart of the film, the crucial counterpoint to Juno’s usually happy exuberance. All the cast deal superbly with fast, funny dialogue, including Juno herself, Ellen Page, as well as her Dad and Step-Mom, J.K. Simmons and Alison Janney. And of course the love that suddenly blossoms at the end with Michael Cera, is wonderfully touching and encompassed by the duet which ends the film.
Of all these films it’s The Ghost with the most stylistic flourishes, perhaps ironic given the everyman Brit accent adopted by Ewan McGregor. There are no jaw-dropping stunts in this film; all the drama comes from the story and suffocating, tense locations. When crucial, potentially stunning events occur in the plot, Polanski deals with them with the utmost style. The film starts by simply showing an abandoned car to heighten the mystery surrounding the death of the previous Ghost Writer, rather than showing a spectacular murder scene. At the climax of the film McGregor’s character is abruptly hit by a car out of shot; we only see papers scatter and swirl in the traffic, littering the street.
Rich in detail, in The Ghost we learn surprisingly little about anything ever. Polanski somehow captures the Dan Brown like, page-turning twists of the novel and distils them on film, whilst also adding a layer of intelligence to the swerves of the plot. You are gripped, determined to keep watching for the big reveal. A reveal cunningly disguised throughout and then stylishly unveiled with an anticipation building close-up of a gradually passed note. The Ghost is immensely enjoyable and stylish; I couldn’t take my eyes off it.
So filmmakers do something different, unpredictable and restrained if you want to make it big and be lavished with praise.
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