Talking Trailers Introduction

Originally published at X-Media Online

Trailers used to be really bad. I mean painfully bad. They could reduce cinematic classics, such as Casablanca (http://www.youtube.com/watch?v=INBmVxAsdFE
), into muddled and ridiculous messes. They would go on for far too long, revealing far too much about a film. They were almost always garnished with
clichéd subtitles or voiceover.

As a result trailers weren’t very important. In the early days of cinema arty posters were the most creative aspect of a film’s promotion. However these days they are inescapable and the key tool in any movie’s marketing campaign. Entire companies are devoted to composing original music for trailers. A trailer’s success or failure can make or break a production’s box office success.

Some might miss going to watch a movie having never seen a single snippet of it; others may rant against the annoyance of a succession of trailers preceding the film they’ve paid to see. A persuasive argument can still be made, in some cases, that it’s a travesty to cut the best bits from a masterpiece and mash them together. It wouldn’t be acceptable to butcher Michelangelo’s David and parade the best body part around Italy to tempt customers to the main attraction in Florence.

But in my view those of you that still find trailers an unnecessary irritant are making a mistake. Rather than diminishing the cinematic experience, I believe they enhance it. They help generate anticipation. With modern editing techniques shoddy composition can largely be avoided. It’s possible to shape something that stands apart from the film itself and goes beyond advertising.

Mediocre action films can be made to look utterly engrossing. Mild, poor quality melodrama can become suffused with irresistibly powerful emotion. It’s still true, of course, that a poor trailer can fail to do a great film justice but that’s all part of the fun. Trailers require skill, originality and risk taking, like any form of art.  I never skip the trailers on a DVD or Blu-Ray because I admire the acknowledged soul that condensed the peaks and troughs of a two hour long film into 120 seconds of intelligible and affecting story.

In this new feature, with the suitably cliché title of “Talking Trailers”, I’ll be trying to share the enjoyment, excitement and excellence of new trailers for upcoming films. I’ll also, no doubt, be pointing out some turkeys. Hopefully I can convert some indifference into enthusiasm.

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